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A good man is hard to find significant quotes

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A Good Man is Hard to Find. Plot Summary. LitCharts Teacher Editions. Teach your students to analyze literature like LitCharts does.

SEE VIDEO BY TOPIC: A Good Man Is Hard to Find by Flannery O'Connor - Characters


A Good Man is Hard to Find and Other Stories Quotes

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A Good Man is Hard to Find. Plot Summary. LitCharts Teacher Editions. Teach your students to analyze literature like LitCharts does. Detailed explanations, analysis, and citation info for every important quote on LitCharts. The original text plus a side-by-side modern translation of every Shakespeare play.

Sign Up. Already have an account? Sign in. From the creators of SparkNotes, something better. Sign In Sign Up. Literature Poetry Lit Terms Shakescleare. Download this LitChart! Teachers and parents! Struggling with distance learning? Our Teacher Edition on Good Man can help. Themes All Themes.

Symbols All Symbols. Theme Wheel. LitCharts assigns a color and icon to each theme in A Good Man is Hard to Find , which you can use to track the themes throughout the work. The story opens on the Grandmother unnamed , whose family is about to take a trip to Florida. Unlike the rest of her family, however, the Grandmother would rather go to Tennessee. She shows a newspaper article to her son Bailey , whose house she lives in.

The article tells of an escaped convict known as the Misfit , who has escaped federal prison and is believed to be headed toward Florida. Active Themes. Violence and Grace. Related Quotes with Explanations. The Grandmother insists that the children—her own grandchildren—have already been to Florida, and that going to East Tennessee would be a more broadening experience for them.

John Wesley and his sister June Star lie on the floor reading the funny papers. The family argues constantly: nobody listens to the Grandmother, and her grandchildren mock her.

Meanwhile the Grandmother tries to use guilt and manipulation to get her way, all while pretending to be selfless. Familial Conflict and Familial Love. The Grandmother suggests that June Star remember that the next time she asks her grandmother to curl her hair.

The next morning, the Grandmother is packed and ready to leave, sitting in the car before anyone else. She has a valise and is hiding a basket with their cat, Pitty Sing, in it.

Download it! The family leaves in the car, with the Grandmother sitting in the back with John Wesley and June Star. The Grandmother notes that it is a good day for driving. She reminds Bailey of the speed limit and says that patrolmen might be hiding, waiting to catch speeders. She dresses up, hoping that, no matter what, she will be identified as a proper lady.

She is so caught up in following social convention that she does not understand that death is truly the end: how she is remembered will no longer affect her. Then points at a poor black child standing in a doorway, stating that the scene would make a great picture. They mock their home state and disrespect their elders. The Grandmother does not allow them to throw their trash out the window, though they want to.

John Wesley and June Star begin to fight, and the Grandmother asks if telling them a story would stop their fighting. The Grandmother describes herself being courted, when she was younger, by Mr. The Grandmother laments that marrying him would have been a good decision, because he bought Coca-Cola stock early on and had only recently died a rich man. Her reflection—that she should have married the man who died rich off Coca-Cola stock—makes it clear that worldly concerns are more important to her than spiritual ones or even ideas of romantic love.

The family stops at The Tower, a filling station and dance hall, for barbecued sandwiches. The owner of the store is Red Sammy Butts , whose name was written on signs along the highway advertising his sandwiches and the fact that he is a veteran.

Red Sam is lying on the ground under a truck when the family drives up. A monkey, chained to a nearby tree, scurries away and up the tree at their approach. Though Red Sam later laments the same moral decay that the Grandmother sees in the world, he cruelly keeps a monkey chained to a tree.

Red Sam comes in and tells his wife to hurry up and fill their order. Like The Grandmother, Red Sam is clearly a hypocrite: he chastises his wife for not working hard enough, and then takes a seat himself. The Grandmother asks if Red Sam and his wife have read about the Misfit.

He laments that you could no longer leave your screen door unlocked. When Red Sam silences his wife for bringing up The Misfit, he reveals an unwillingness to confront the violence and hardship that exists in the world—instead, he would rather have a nice, self-righteous conversation about how the younger generation and Europe are no good.

The family drives off. The Grandmother tells the others about a plantation nearby that she had visited once when she was younger. The house was lavish and ornate, and she remembers how to get there. Knowing that Bailey will not want to visit, the Grandmother lies, saying there was a secret panel somewhere in the house with silver hidden behind it.

John Wesley and June Star , excited by the idea of the hidden panel, say eagerly that they want to see it. The Grandmother says they have to turn around and get on a dirt road about a mile back. Bailey groans. Again, The Grandmother tries to manipulate her family into changing their plans.

The family does not discuss things open-mindedly, but shouts and argues until someone gives in. And yet he is also clearly not a very good son or father himself. The Grandmother recounts more details of the house, and John Wesley speculates about the placement of the secret panel. The Grandmother thinks nostalgically back to the days without paved roads.

After some driving down the dirt road, Bailey threatens to turn around. Bailey swerves when the cat attacks him, and the car crashes. The Grandmother hopes that she is injured so that Bailey will not be so angry with her. The horrible thought that made her jump, we learn, was that the house she had been describing was actually in Tennessee, hundreds of miles away, not Georgia.

Even after the crash, all the Grandmother can think of is herself: she does not take the possibility of injury or death seriously, instead hoping that she is injured in order to get sympathy.

June Star is disappointed that nobody has been killed. They are ten feet below the road, and behind the ditch are only woods. A few minutes later, they spot a car. The Grandmother waves her arms. The car comes to a stop above the family on the road. The driver looks down and watches for several minutes, then mutters something to the other two men in the car and they all get out.

Clearly, the family does not appreciate that they could well have died. The Grandmother, becoming somehow even pettier in the face of danger, not only hopes that she is injured, but lies, saying that she is. A hearse is a vehicle for carrying a coffin to a funeral, and here it clearly represents death entering the story in a very real way. One of the men is very young and fat, and he stands on one side of the family gawking and grinning.

The other has khakis on, a coat, and a hat. He stands on the other side of the family. The driver then gets out of the car. The other two men also have guns. Everything suddenly gets more sinister with the arrival of the armed men, but the children are still totally self-absorbed and oblivious. The second half of the story now starts to mark the conflict between the petty, selfish world of the family and the harsh, meaningless reality of chaos and death.

The Grandmother has an odd sense that she has met the man with glasses before. His face seems familiar. I see you all had a little spill. He says they saw it happen. The man with glasses instructs one of his men, Hiram , to see if the car will run. Again, with the strangers, the Grandmother naturally lies to get sympathy, saying that the car flipped over twice.

The man correcting her signifies the first small instance of the harsh truth cutting into her narrow world. Punishment and Forgiveness.

A Good Man Is Hard to Find

They never have been to East Tennessee. She has to go everywhere we go. Her collars and cuffs were white organdy trimmed with lace and at her neckline she had pinned a purple spray of cloth violets containing a sachet. In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady. Tennessee has the mountains and Georgia has the hills.

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JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. Listen lady," he said in a high voice, "if I had of been there I would of known and I wouldn't be like I am now. Here it really does sound as if The Misfit does want help — he wishes he'd "been there" with Jesus.

A Good Man is Hard to Find Quotes

Foster's critical reading techniques. After reading the story once, I went back and reread it again, pulling out interesting quotes which seemed to have a deeper meaning to me I summarized some of my thoughts on them below, but first, time for a general response. I feel that O'Connor's story fits well with her statement about the South being "Christ-haunted. First off, it is pretty obvious to me that the "silver-white sunlight" is supposed to be imagery the reader associates with Heaven. Beyond that, I feel there are two possible meanings to it as a whole, depending upon how you interpret the meaning of the word "meanest": either they are being portrayed as cruel, or they are being portrayed as average. In the first case, the trees could almost be approximated with the Misfit in the role of Jesus More on that later. In the second case, the trees could be representative of Bailey's family More on that later, too.







What is the ironic significance of the title of "A Good Man is Hard to Find" by Flannery O'Connor? eNotes educator 4 educator answers; What is one of the conflicts.








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